Riverside Art Museum art instructors will be guiding an all-ages, Rico Gatson : Icons inspired arts activity
Admission to Riverside Art Museum and The Cheech Marin Center for Chicano Art & Culture is free between 6 p.m. to 9 p.m. No reservations or reserved tickets needed to access both locations and exhibitions.
Alebrije Art Activity with UCR Gluck Fellow, Athena Sesma
- Location/Time: The Cheech Education Classroom (upstairs) from 1:00 p.m. – 4:00 p.m.
“The mission of the Gluck Fellows Program of the Arts at the University of California, Riverside is to create the opportunity for the broader community to benefit from the creative, performative, and the expository talents of the graduate and undergraduate students of the Departments of Art, Creative Writing for the Performing Arts, Dance, History of Art, Music, Theatre, Film and Digital Production, and UCR Arts”.
Admission to Riverside Art Museum and The Cheech Marin Center for Chicano Art & Culture is free between 12 p.m. to 5 p.m. No reservations or reserved tickets needed to access both locations and exhibitions
Thank you for supporting First Sundays and the Riverside Art Museum exhibition Sacred Spaces: The Work and Collection of Charles Bibbs™
Collage Workshop with artist Mer Young, who’s work All My Relations, 2023 is featured in Indigenous Futurism
- Location/Time: The Cheech Education Classroom (upstairs) from 6:30 p.m. – 8:30 p.m.
Soundscape Meditation with artist Jeshua Viveiros, who’s work Deer Woman, 2023 is featured in Indigenous Futurism
- Location/Time: The Cheech Auditorium (upstairs)
- Meditation sessions run from 6:30 p.m. – 8:30 p.m.
Admission to Riverside Art Museum and The Cheech Marin Center for Chicano Art & Culture is free between 6 p.m. to 9 p.m. No reservations or reserved tickets needed to access both locations and exhibitions.
Join us on the first Thursday of every month from 6 p.m. to 9 p.m. for the Riverside ArtsWalk, a vibrant community event that celebrates the diversity of arts and culture in Riverside and the Inland Empire.
We offer free admission at both Riverside Art Museum (Julia Morgan Building) and The Cheech Marin Center for Chicano Art & Culture as part of the ArtsWalk, which includes many downtown arts destinations.
Riverside Artswalk is hosted by the Riverside Arts Council and sponsored by the City of Riverside and Riverside Downtown Partnership. More information and Artswalk map available here.
Riverside ArtsWalk is supported in part by:
Photo credit: Puma Photography
Saturday, February 25, 2023, 6 p.m.–9 p.m.
Please join us for the opening reception of Land of Milk & Honey and Life Logistics.
This event is at capacity.
The Other Side of Memory: Photographs by Luis C. Garza
February 25, 2023
2 p.m. – 3:00 p.m. – Art Talk
3:00 p.m. – 4:00 p.m. – Book Signing
RESERVE YOUR BOOK IN ADVANCE! A limited number of copies are available for $50+tax. Send an email to [email protected].
CANNOT ATTEND AND WANT TO BUY A BOOK? Send an email to [email protected] for shipping information.
Join us for an engaging conversation between Elizabeth Ferrer, Armando Durón, and Luis C. Garza about The Other Side of Memory: Photographs by Luis C. Garza. On view through March 19, 2023, this exhibition includes 66 black-and-white silver gelatin prints selected from the extensive archive of his work. Mostly unpublished until now, Garza’s images document his East Los Angeles community during the early 1970s, his South Bronx neighborhood during the 1960s, and his 1971 travels to Budapest, Hungary, for the World Peace Conference where he met Mexican muralist David Alfaro Siqueiros.
ELIZABETH FERRER: Elizabeth Ferrer is Chief Curator at BRIC, a multi-disciplinary arts organization in Brooklyn, as well as a scholar of Latinx and Mexican photography. She has written extensively and curated exhibitions of Mexican modern and contemporary photography. Ferrer is author of Lola Alvarez Bravo (Aperture, NY), named a New York Times notable book of the year, as well as of numerous exhibition catalogs published in the United States and Mexico. Most recently, she authored the critically lauded Latinx Photography in the United States: A Visual History, published by the University of Washington Press in 2021. Ferrer has curated major exhibitions that have appeared at such institutions as the Smithsonian Institution, Notre Dame University, El Museo del Barrio, the Wallach Art Gallery at Columbia University, and the Americas Society in New York, where she was Gallery Director for several years. She is currently curating a major retrospective exhibition on the work of Louis Carlos Bernal, a pioneering Chicano photographer, to be presented at the Center for Creative Photography in Tucson in fall 2023. The exhibition catalog will be co-published by Aperture. Ferrer, who studied art history at Wellesley College and Columbia University, is originally from Los Angeles and is based in Brooklyn, New York, and in Western Massachusetts.
ARMANDO DURÓN: Armando Durón has been avidly collecting Chicano art since 1981. His extensive collection includes over 660 artworks and over 1,000 publications and books related to Chicano art. It represents the last 40 years of Chicano art in Southern California and reflects his Chicano perspective on collecting Chicano art. Among other exhibitions, Durón curated “Time Refocused: Photographs of Luis C. Garza” and organized “A Short Essay on Chicano Photography” at the Social and Public Resource Center (SPARC) in 2015. He also has written essays for “Camilo Cruz: Portraits of Purpose: Century Regional Detention Facility” (2016) and “Camilo Cruz: Judges/Inmates/Juxtaposed” (2017). The Durón Family Collection includes other Chicana/o photographers such as Laura Aguilar; Rafael Cardenas; Christina Fernandez; Harry Gamboa, Jr.; and Ricardo Valverde.
LUIS C. GARZA: Luis C. Garza is an independent curator and photojournalist who recorded the tumultuous social events of the 1960s and 1970s, often on behalf of La Raza magazine, the journalistic voice of the Chicano movement. His images captured the attention of many, and later led to his multifaceted career in documentary production, arts marketing, event coordination, arts consulting, and exhibition curation. He co-curated the exhibition “Siqueiros in Los Angeles: Censorship Defied” at The Autry, which elevated awareness of his work as a curator and a photographer. He then collaborated with the UCLA Chicano Studies Research Center and The Autry on the blockbuster exhibition “LA RAZA” for The Getty’s Pacific Standard Time: LA/LA.
ABOUT THE CATALOG: In addition to 66 black-and-white photographs, the catalog for the exhibition “The Other Side of Memory: Photography by Luis C. Garza” features essays by photographer Luis C. Garza and the exhibition’s curator Armando Durón, bookended by a foreword by curator and scholar Elizabeth Ferrer who authored the critically lauded “Latinx Photography in the United States: A Visual History” and an afterword by Charlene Villaseñor Black, Professor of Art History and Chicano Studies and Central American Studies at the University of California, Los Angeles; editor of Aztlán: A Journal of Chicano Studies; and founding editor-in-chief of Latin American and Latinx Visual Culture. It also includes previously unpublished proof sheets of Garza’s film negatives that demonstrate his process of selecting what to shoot and what to print.
January 14
Tour the Collidoscope Exhibit with the de la Torre brothers before the exhibit leaves for a nationwide tour.
Tours will be offered on Saturday at 10:00 a.m.
January 21 | 1:00 P.M.–3:00 P.M.
Meet the author and artist of The Vermillion Speedateer, Sebraé Harris! Follow some of the staff of the Riverside Art Museum on an incredible journey as you flip through the pages of this amazing manga.
Sunday, January 15, 2023, 12 p.m.–5 p.m.
Join The Cheech and the Smithsonian’s National Museum of the American Latino for ¡Descubra!, a fun-filled afternoon of activities for families and visitors of all ages. This special celebration features The Cheech exhibition, “Collidoscope: A Retro-Perspective,” which closes Jan. 22.
The day will include art demonstrations, fun activities, music, dancing, and featured activities from ¡Descubra! national collaborator, the United States Patent and Trademark Office. Bring the family and participate in hands-on activities that will include making your own lenticular, making your own Aztec calendar, and an interactive installation with James Rojas and John Kamp.
Tours of the Collidoscope exhibition will be offered throughout the afternoon, by the de la Torre brothers Muralist Jesus Castañeda will be painting a community art wall reflecting on being bicultural in the United States and building community on both sides of the border.
Admission is FREE!
Walk-up tickets are available at the front desk.
The Collidoscope traveling tour is made possible by (or supported by) the National Museum of the American Latino.
January 8, 2023 | 10 a.m.–2 p.m.
Join us as we celebrate Dia De Los Reyes Magos at the Riverside Art Museum. Mr. Blue and Cultura con Llantas are back and bringing the tamales, pan dulce, chocolate Mexicano, Rosca de Reyes, and entertainment! This event is absolutely FREE. Invite your friends and families!
We’ll see you there!
Saturday, January 14, 6:00 PM- 8:00 PM (members’ reception starts at 5:00 PM)
Please join us to celebrate Beliz Iristay and her exhibition Tracing Acculturations. Beliz is a Turkish American visual artist working on both sides of the the United States and Mexico border. Live music by DJ özgür and light turkish refreshments will be served.
January 15, 2023 | 12 p.m. – 1:30 p.m.
Join us for an artist talk featuring Christina Fernandez and Luis Garza moderated by UCR Professor Jennifer Nájera. Free event.
We are currently at capacity. Registration will open back if there are any cancellations.
Christina Fernandez is the subject of an exhibition at UCR ARTS, located less than a mile away from the Riverside Art Museum. “This landmark exhibition surveys the work of Christina Fernandez, the crucially important Los Angeles-based artist who has spent thirty years in a rich exploration of migration, labor, gender, her Mexican-American identity, and the unique capacities of the photographic medium itself. Christina Fernandez: Multiple Exposures brings together the artist’s most important bodies of works for the first time, allowing audiences to discover the threads that connect them, both formal and conceptual. Through work that spans decades, Fernandez compels us to reconsider history, the border, and the real lives that cross and inhabit them. The exhibition will be accompanied by the first major monographic catalogue of her work, co-published with the Chicano Studies Research Center at UCLA.”
Luis Garza’s work is currently featured at the Riverside Art Museum. The Other Side of Memory: Luis Garza includes 66 black-and-white silver gelatin prints selected from the extensive archive of his work. Mostly unpublished until now, Garza’s images document his East Los Angeles community during the early 1970s, his South Bronx neighborhood during the 1960s, and his 1971 travels to Budapest, Hungary, for the World Peace Conference where he met Mexican muralist David Alfaro Siqueiros.
Jennifer R. Nájera is Associate Professor and Chair of Ethnic Studies at UC Riverside. Dr. Nájera’s research interests lie at the intersections of race, immigration, and education, and she is committed to producing work that is community-accountable. She is the author of The Borderlands of Race: Mexican Segregation in a South Texas Town (University of Texas Press, 2015) and is currently working on a manuscript entitled, Undocumented Education: Intersections of Activism and Education Among Undocumented Students.
January 15, 2023 | 2 p.m. – 3:30 p.m.
Join us for an artist talk and book signing with Sant Khalsa, whose work is featured in the exhibition Western Waters. Free event. To reserve your copy of the book email [email protected]
About the book, CRYSTAL CLEAR || WESTERN WATERS Photographs by Sant Khalsa: Before Flint, before ever-expansive wildfires annually ravaged her home state of California and much of the west coast, yet after the popular introduction of bottled water to the American consciousness in the 1990s, Sant Khalsa discovered a store called Water Shed, and photographed it.
That was the first of what would become her series “Western Waters.” The sixty gelatin-silver photographs, made between 2000 and 2002, depict water stores in Arizona, New Mexico, Southern California, and southern Nevada. At that time, Khalsa said: “the photographs will serve in the future as a historical document of either a fleeting fad, or the foundation of what will become commonplace in our society.”
Twenty years have passed since Khalsa completed this photographic project. Bottled water is an over $11 billion dollar industry, yet millions of Americans are daily affected by the lack of access to clean drinking water. The existence of these stores in the early part of the millennium played on human fears and desires—never-ending thirsts—that have become need in a very short period of time.
Khalsa’s framing of these small businesses is an homage to Walker Evans, the seminal influences of Bernd and Hilla Becher, and the typologies of fellow Californian Ed Ruscha—whose words preface the series in the book—while demonstrating a sensitivity to a prescient subject matter that is unique.
SANT KHALSA (b. Sheila Roth, January 3, 1953, New York, New York; currently resides in Joshua Tree, California) is an artist and activist who has lived in Southern California since 1975. Her mindful inquiry into the nature of place is at the root of her life and visual work.
Her photographs, sculptures and installations have been exhibited internationally; her work is in the permanent collections of the Los Angeles County Museum of Art, Center for Creative Photography in Tucson, Nevada Museum of Art, National Galleries of Scotland, and UCR/California Museum of Photography, and others, in addition to private collections throughout the United States and Europe.
Over her esteemed career Khalsa has received fellowships, awards and grants from many significant institutions including the National Endowment for the Arts, California Humanities, California Arts Council and the U.S. Environmental Protection Agency. In March 2012, she was honored as the inaugural recipient of the Society for Photographic Education’s Insight Award for her significant contributions to the field, and in 2015 received the Society for Photographic Education (west region) Honored Educator award.
Khalsa is Professor of Art, Emerita at California State University, where she served on the art faculty from 1988 to 2018; she is one of the founding faculty of the CSUSB Water Resources Institute research center and archive. She hosts the ecoartspace.org monthly program Tree Talk: Artists Speak for Trees and is the founding director of the Joshua Tree Center for Photographic Arts. Her first book, Prana—Life With Trees (Griffith Moon), was published in 2019.
ED RUSCHA (b. 1937, Omaha, Nebraska; lives in Los Angeles) graduated from the Chouinard Art Institute (now CalArts), Los Angeles, in 1960. Although his images are undeniably rooted in the vernacular of a closely observed American reality, his elegantly laconic art speaks to more complex and widespread issues regarding the appearance, feel, and function of the world and our tenuous and transient place within it. In 2012, Ruscha curated “The Ancients Stole All Our Great Ideas,” at Kunsthistorisches Museum in Vienna. Ruscha represented the United States in the 51st Biennale di Venezia in 2005, and was featured in the 2015 Biennale de Lyon’s exhibition, “La Vie Moderne.” Select recent exhibitions include “Ed Ruscha and the Great American West,” De Young Museum, San Francisco (2016); “Music From the Balconies: Ed Ruscha and Los Angeles,” Scottish National Gallery of Modern Art, Edinburgh (2017); “Ed Ruscha: Course of Empire,” The National Gallery of Art, London (2017); and “Word/Play: Prints, Photographs, and Paintings by Ed Ruscha,” Joslyn Art Museum, Omaha (2018). He is represented by Gagosian.
Join us for an exciting artist talk with artist, Beatriz Cortez in conversation with Collidoscope guest curator, Selene Preciado.
This event will take place on Tuesday, January 10, 2023, 6:30-8:00 P.M. in The Cheech Auditorium.
Artist Bio:
Beatriz Cortez is a multidisciplinary artist born and raised in El Salvador and based in Los Angeles. Her work explores simultaneity, life in different temporalities and versions of modernity, the untimely, and speculative imaginaries of the future. She has had solo exhibitions and has participated in group exhibitions nationally and internationally. She has received numerous awards, including the Borderlands Fellowship by the Vera List Center for Art and Politics at The New School and ASU (2022-2024); Atelier Calder Artist Residency in Saché, France (2022); California Studio Manetti Shrem Artist Residency at UC Davis (2022); Longenecker-Roth Artist Residency at UCSD (2021); Artadia Los Angeles Award (2020); Frieze LIFEWTR Inaugural Sculpture Prize (2019); Rema Hort Mann Foundation Emerging Artist Grant (2018); and California Community Foundation Fellowship for Visual Artists (2016), among others. Cortez holds an MFA from the California Institute of the Arts, and a doctorate from Arizona State University. She teaches in the Department of Central American and Transborder Studies at California State University, Northridge.
Photo credit: Beatriz Cortez, Glacial Erratic, 2020. Steel. Installation view at ICA San Diego, North Campus. Courtesy of the artist.
A Preview of and a Fundraiser for The Cheech
LA Originals (Estevan Oriol and Mister Cartoon), January 21, 2021, 6 p.m.–8 p.m., $25
Please join Mister Cartoon and Estevan Oriol—from the documentary LA Originals currently streaming on Netflix—in conversation for our last En Diálogo Zoom on Thursday, January 21, 2021, 6 p.m.–8 p.m. Tickets are $25. All funds raised will benefit The Cheech.
This conversation will be moderated by Emilio Rivera.
Photo of Mister Cartoon by Estevan Oriol.
Click here to register and pay.
This is a series of conversations organized by Unidos. Unidos is a collective of many local and community focused organizations and engaged individuals, together serving the diverse spectrum of the Chicano Latino community in Riverside. Unidos was formed to work together on initiatives that serve us all beyond the valued niche mission of each group.
About Mister Cartoon
Website: www.mistercartoon.com
Instagram: @misterctoons
Twitter: @misterctoons
Born in 1969 in Los Angeles and raised in the harbor area, Cartoon graduated high school in San Pedro in 1988.
Mister Cartoon’s expressive style of art is universally recognized and embodies the true soul of Los Angeles street culture. Beginning his career as a graffiti artist in the 1980s, he gained notoriety for his album cover designs, logos, advertisements, custom lowrider car murals, and his one-of-a-kind tattoos.
Mister Cartoon’s richly detailed, hand-rendered designs are inspired by the style of tattoos that originated in the streets of 1970s’ Los Angeles—fine-line Chicano black-and-grey custom tattoo art. Mister Cartoon took this style of tattooing and brought it into mainstream culture; he is known as a pioneer in the tattoo world as one of the first artists to get global notoriety by tattooing celebrities, athletes, musicians, and actors alike.
His tattoos have been commissioned by many icons of the music and film industry from Dr Dre, 50 Cent, Snoop Dogg, Skylar Grey, Christina Aguilera, Eminem, Justin Timberlake, Justin Bieber, Shia Labeouf, Pharrell, Ryan Phillippe, Usher, Kanye West, YG, and Nas, to DJ Premier and Slash.
His work also adorns professional athletes such as CC Sabathia, Amar’e Stoudemire, Lewis Hamilton, Kobe Bryant, Jonathan Quick, Carlos Boozer, Matt Barnes, Paul Rodriguez, Carl Crawford, and Terry Kennedy, and has come to represent strength, faith, and ferocity on the competition field.
The bonds formed with clients in the tattoo chair have led to some longstanding relationships and unique collaborations. Cartoon’s private tattoo studio, Skid Row Tattoo, has become a cultural landmark all in itself. From Thailand to New York, Japan, and the United Kingdom, Cartoon’s tattoo residencies continue to take his cultural message worldwide.
Mister Cartoon has partnered with companies such as Microsoft, Nike, Vans, Levis, Supreme, RVCA, Diesel, T-Mobile, Axe, Target, Universal Pictures, and Fox Studios on a variety of successful collaborations.
He has been featured in numerous publications, including The New York Times, The Wall St Journal, Rolling Stone, Complex, XXL, GQ, and many more.
His work has been an integral part of music culture, producing album art work, logos, and identities for the likes of Shady Records, Eazy-E, Paul Wall, Clipse, Cypress Hill, Wale, Zac Brown Band, and many more.
Cartoon’s custom muraled car collection and art work has been featured internationally from art shows in London and Japan to the Los Angeles Museum of Contemporary Art. His style and art transcends many artistic mediums.
Mister Cartoon is continually driven to give back to the community that has supported him. He is able to do this through youth outreach programs and collaborations with organizations that are active in the community.
About Estevan Oriol
Website: https://www.estevanoriol.com/
Instagram: @estevanoriol
Facebook: @EstevanOriolPhoto
YouTube: @EstevanOriol
Estevan Oriol is an internationally celebrated professional photographer, director, and urban lifestyle entrepreneur. Beginning his career as a hip-hop club bouncer turned tour manager for popular Los Angeles-based rap groups Cypress Hill and House of Pain, Estevan’s passion for photography developed while traveling the world. With an influential nudge and an old camera from his father, renowned photographer Eriberto Oriol, Estevan began documenting life on the road and established a name for himself amid the emerging hip-hop scene.
Nearly 20 years later, Oriol’s extensive portfolio juxtaposes the glamorous and gritty planes of LA culture, featuring portraits of famous athletes, artists, celebrities, and musicians, as well as Latino, urban, gang, and tattoo culture lifestyles. He has photographed Al Pacino, Robert Dinero, Dennis Hopper, Ryan Gosling, Chloe Moretz, Marissa Miller, Kim Kardashian, Kanye West, Snoop Dogg, Floyd Mayweather, and others. He has also produced shoots for internationally acclaimed photographers such as Ellen von Unwerth for Sang Bleu and Luca Babini for GQ Italy.
In addition to shooting campaigns for companies including Cadillac, Nike, and Rockford Fosgate, and directing new media projects for My Cadillac Stories, MetroPCS, MTV, and Apple, Estevan has designed album covers and/or directed music videos for artists including Eminem, Cypress Hill, Blink 182, Snoop Dogg, and Xzibit.
His work has been showcased in select galleries and institutions—such as Smithsonian Center for Latino Initiatives, Mesa Contemporary Art Center, Petersen Automotive Museum, and The Museum of Contemporary Art, Los Angeles’ Art in the Streets exhibit—concluding with best-selling books of his work: LA Woman, L.A. Portraits, and This Is Los Angeles, capturing dangerous gangsters, lowriders, musicians, celebrities, the L.A. lifestyle, and the alluring beauty of women shot in his uniquely provocative and raw style. His photography has been featured in Complex, FHM, Juxtapoz, GQ, Vibe, Rolling Stone and other publications, with appearances on popular television shows such as, CNN’s Anthony Bourdain: UnKnown Parts, CNN’s Street Food: Roy Choi, HBO’s Entourage, and Last Call With Carson Daly.
About Emilio Rivera
Emilio Rivera is a prime example of how turning one’s life around can make dreams a reality. Growing up in a rough and impoverished neighborhood, Rivera turned to wild and reckless behavior during his teen and young adult years. However, he found discipline and true passion through the art of acting. After years of hard work and perseverance, he has become a well-known name in the industry and his resume continues to grow.
A few of Emilio’s most notable films include Steven Soderbergh’s award-winning film Traffic and David Ayer’s Street Kings with Keanu Reeves, Forest Whitaker, and Hugh Laurie. Rivera also played Paco the Hitman in Michael Mann’s Collateral, starring opposite Jamie Foxx and Tom Cruise. He can be seen in F. Gary Gray’s A Man Apart, starring opposite Vin Diesel, High Crimes opposite Ashley Judd and Morgan Freeman, and Nick Lyon’s Bullet opposite Danny Trejo. More recently, he could be seen in the blockbuster film Venom and in 3 From Hell, which was released into theaters in September 2019.
Rivera is perhaps best known for playing the starring role of Marcus Alvarez on FX’s Sons of Anarchy, as well as being a series regular on its spin-off, Mayans M.C., which was just picked up for its third season. He has also recurred heavily on the FOX series Gang Related and on Showtime’s Weeds. Emilio also recently wrapped his recurring role on the new hit Netflix series On My Block for a second season.
Rivera’s hard work and dedication to his career has allowed him to juggle recurring roles on both Amazon’s Hand of God and the SyFy channel’s zombie apocalypse series, Z Nation, where he plays Hector “Escorpion” Alvarez. He recurred on the second season of Bounce TV’s Saints & Sinners and in the films 48 Hours to Live with James Maslow and Tommy Flanagan, Badsville opposite Robert Knepper, and Loca with Danay Garcia. In addition, Emilio has begun developing one of his own feature film projects.
Rivera’s decision to learn from his past and pursue his passion has led to continued success and a promise of more to come in the future.
Cheech Marin and Einar & Jamex De La Torre
Moderated by Eduardo Díaz, Director of Smithsonian Latino Center
Thursday, October 15, 2020 October 29, 2020, 6 p.m.–8 p.m., $25 | Please register in advance
We are so pleased to announce that Cheech Marin and artists Einar and Jamex De La Torre will be in conversation via Zoom on Thursday, October 29, 2020, 6 p.m.-8 p.m.! The conversation will be moderated by Eduardo Díaz, Director of the Smithsonian Latino Center. Tickets are $25.
All funds raised will benefit the exhibition and associated publication of Collidoscope: A De La Torre Brothers Retro-Perspective, which will be the inaugural temporary exhibition at The Cheech! This exhibition is organized with the Smithsonian Latino Center and curated by Selene Preciado.
This is a first in a series of conversations organized by Unidos. Unidos is a collective of many local and community focused organizations and engaged individuals, together serving the diverse spectrum of the Chicano Latino community in Riverside. Unidos was formed to work together on initiatives that serve us all beyond the valued niche mission of each group.
After registering, on the day of the event, we will email you the link to the event. Please make sure your Zoom name matches the name you used here so we can quickly move you from the waiting room to the event.
Lalo Alcaraz and Gustavo Arellano, November 19, 2020, 6 p.m.–8 p.m., $25
We are please to announce Lalo Alcaraz and Gustavo Arellano in conversation for our next En Diálogo Zoom on Thursday, November 19, 2020, 6 p.m.–8 p.m. Tickets are $25. All funds raised will benefit The Cheech. Registration is now closed. Thank you.
About Lalo Alcaraz
Lalo Alcaraz is an award-winning visual/media artist and television/film writer. A Los Angeles resident, he has been chronicling the ascendancy of Latinos in the U.S. for over a quarter-century. The busy Chicano artist is the creator of the syndicated daily comic strip La Cucaracha seen in the Los Angeles Times and other newspapers nationwide. Alcaraz is founder and Jefe-in-Chief of POCHO, which started out as a Xeroxed zine in the last century and now ranks a leading Latino satire website. A prolific political cartoonist, Lalo is the winner of six Los Angeles Press Club awards for Best Editorial Cartoon. He was an editorial cartoonist for the L.A. Weekly from 1992–2010 and now creates editorial cartoons in English and Spanish for Andrews McMeel Syndication, Daily Kos, and various newspapers, including Philadelphia’s Al Dia News.
His work has appeared on 60 Minutes, CBS News, NBC, Univision, and in hundreds of publications. Lalo’s graphic novel and cartoon books include the New York Times bestseller A Most Imperfect Union, Latino USA: A Cartoon History, 15th Anniversary Edition; Migra Mouse: Political Cartoons On Immigration; and La Cucaracha.
Author of the forthcoming graphic history novel, UNIDOS, about the historic civil rights group formerly known as the National Council of La Raza (now UnidosUS), Lalo is also a highly sought-after Hollywood consultant and producer.
In 2014 he was a staff writer and producer on the animated Seth MacFarlane-led TV show Bordertown on Fox. He next served as cultural consultant on the Oscar-winning Day of the Dead-themed Pixar movie COCO. Alcaraz was recently cultural consultant, consulting producer, and writer on the animated series The Loud House and now on Nick’s The Casagrandes. Alcaraz is the co-host of KPFK satirical talk show, The Pocho Hour of Power, heard on L.A.’s Pacifica station KPFK 90.7 FM. He is a former illustration faculty member at Otis College of Fine Art & Design in Los Angeles.
He is a graduate of San Diego State University (BA in Art) and UC Berkeley (Master of Architecture). Lalo was born in San Diego, California to Mexican immigrant parents from Sinaloa and Zacatecas.
Website: https://laloalcaraz.com/ | Instagram @laloalcaraz1 | Facebook @lacucaracha | Twitter @laloalcaraz
About Gustavo Arellano
Gustavo Arellano is a Mexican with glasses con su pluma en su mano who writes pure DESMADRE about everything and is based in Orange County, California.
Arellano is a columnist for the Los Angeles Times, covering Southern California everything and a bunch of the West and beyond. He previously worked at OC Weekly, where he was an investigative reporter for 15 years and editor for six, wrote a column called ¡Ask a Mexican!, and is the author of Taco USA: How Mexican Food Conquered America. He’s the child of two Mexican immigrants, one of whom came to this country in the trunk of a Chevy.
Website: https://www.gustavoarellano.org/ | Instagram @gustavo_arellano | Facebook @gustavoarellanowriter | Twitter @GustavoArellano
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This is part of a series of conversations organized by Unidos. Unidos is a collective of many local and community focused organizations and engaged individuals, together serving the diverse spectrum of the Chicano Latino community in Riverside. Unidos was formed to work together on initiatives that serve us all beyond the valued niche mission of each group.
Registration is now closed. Thank you.
After registering, on the day of the event, we will email you the link to the event. Please make sure your Zoom name matches the name you used here so we can quickly move you from the waiting room to the event.
Cheech Marin and Carlos Santana, December 17, 2020, 6 p.m.–8 p.m., $25
We are pleased to announce Cheech Marin and Carlos Santana in conversation for our next En Diálogo Zoom on Thursday, December 17, 2020, 6 p.m.–8 p.m. Tickets are $25. All funds raised will benefit The Cheech.
This conversation will be moderated by KCSM 91.1 FM Music Director Jesse “Chuy” Varela.
Click here to register.
About Carlos Santana
Delivered with a level of passion and soul equal to the legendary sonic charge of his guitar, the sound of Carlos Santana is one of the world’s best-known musical signatures. For more than four decades-from Santana’s earliest days as a groundbreaking Afro-Latin-blues-rock fusion outfit in San Francisco-Carlos has been the visionary force behind artistry that transcends musical genres and generational, cultural and geographical boundaries.
Long before the category now known as “world music” was named, Santana’s ever-evolving sound was always ahead of its time in its universal appeal, and today registers as ideally in sync with the 21st century’s pan-cultural landscape. And, with a dedication to humanitarian outreach and social activism that parallels his lifelong relationship with music, Carlos Santana is as much an exemplary world citizen as a global music icon.
To date, Santana has won 10 GRAMMY® Awards, including a record-tying nine for a single project, 1999’s Supernatural (including Album of the Year and Record of the Year for “Smooth”) as well as three Latin GRAMMY’s. In 1998, the group was ushered into the Rock and Roll Hall of Fame, whose website notes, “Guitarist Carlos Santana is one of rock’s true virtuosos and guiding lights.”
Among many other honors, Carlos Santana received Billboard Latin Music Awards’ 2009 Lifetime Achievement honor, and, he was bestowed Billboard’s Century Award in 1996. On December 8, 2013 he was the recipient of the 2013 Kennedy Center Honors Award. Rolling Stone has also named him #15 on the magazine’s list of the “100 Greatest Guitarists of All Time” noting that “Santana’s crystalline tone and clean arcing sustain make him the rare instrumentalist who can be identified in just one note.” And, with the 2014 release of Corazón, Santana surpassed the Rolling Stones and is one of only two music acts in Billboard history to score at least one Top Ten album for six consecutive decades from the 1960s on.
Carlos executive produced the Peter Bratt-directed documentary film DOLORES, about the life and work of Dolores Huerta, who is among the most important, yet least known, activists in American history. An equal partner in co-founding the first farm workers unions with Cesar Chavez, her enormous contributions have gone largely unrecognized. Dolores tirelessly led the fight for racial and labor justice alongside Chavez, becoming one of the most defiant feminists of the twentieth century-and she continues the fight to this day, at 87. With intimate and unprecedented access to this intensely private mother to eleven, the film reveals the raw, personal stakes involved in committing one’s life to social change.
The arc of Santana’s performing and recording career is complemented by a lifelong devotion to social activism and humanitarian causes. The Milagro Foundation, originally established by Carlos Santana and his family in 1998, has granted more than seven million dollars to non-profit programs supporting underserved children and youth in the areas of arts, education and health. Milagro means “miracle,” and the image of children as divine miracles of light and hope-gifts to our lives-is the inspiration behind its name.
—Excerpt from https://www.santana.com/carlos-santana-biography/
About Cheech Marin
Best known as one half of the hilariously irreverent, satirical, counter-culture, no-holds-barred duo Cheech and Chong (now on tour), Cheech Marin is a paradox in the world of entertainment. Cheech is an actor, director, writer, musician, art collector, and humanitarian, a man who has enough talent, humor, and intelligence to do just about anything. He is truly a multi-generational star. To this day, Cheech and Chong films remain the number one weekend video rentals, and Cheech is widely acknowledged as a cultural icon. Cheech’s long-awaited memoir entitled Cheech is Not My Real Name…But Don’t Call Me Chong! was released in 2017.
Cheech (real name Richard) Marin was born in South Central Los Angeles and met Tommy Chong in Vancouver, British Columbia as a political refugee. The duo moved back to Los Angeles and proved to be “entertainment gold.” Six of their albums went gold, four were nominated for Grammys, and Los Cochinos won the 1973 Grammy for Best Comedy Recording. The critically acclaimed duo made a fluid transition to films, starring in eight features together.
During his split with Chong, Cheech wrote, directed, and starred in the comedy Born In East L.A. He appeared in over 20 films, including his scene-stealing role in Tin Cup. On television, Cheech was a sitcom regular before joining Don Johnson on the highly successful CBS drama Nash Bridges (1996-2001). He later had a recurring role on the hit NBC show, Lost, and in recent years, he guest-starred on Rob and Jane the Virgin. Through his popular Disney Pixar animation film roles (Oliver & Company, The Lion King, Cars, and more) and as an author of children’s books such as Cheech the School Bus Driver, Cheech is also a favorite with kids and parents around the world.
Cheech is recognized today as a preeminent Chicano art advocate. In the mid-1980s, he began developing what is now arguably the finest private collection of Chicano art. Much of it formed the core of his inaugural exhibition Chicano Visions: American Painters on the Verge, which broke attendance records during its groundbreaking 15‐city tour during 2001‐2007 to major art museums across the United States. He states, “Chicano art is American art. My goal is to bring the term ‘Chicano’ to the forefront of the art world.”
Furthering his goal to introduce Chicano art to a wider audience, Marin has entered a partnership with the City of Riverside and Riverside Art Museum to create The Marin Center for Chicano Art, Culture, and Industry. Slated to open in 2021, The Cheech will become the permanent home for his more than 700 works of Chicano art, including paintings, sculptures, and photography; collectively, the most renowned Chicano art collection in the United States.
—Excerpt from https://cheechmarin.com/bio/
About Jesse “Chuy” Varela
For KCSM 91.1 FM’s Music Director Jesse “Chuy” Varela, music roots have run deep. Currently, Chuy is celebrating 20 years as Music Director at KCSM Jazz 91, the San Francisco Bay Area’s Jazz radio station.
From an early age, Chuy was fascinated by music, playing the guitar in Mexican bands and in the army. He attended Cal State Hayward where he majored in music. But after realizing that music would probably not be a lucrative career, he switched to mass communications where he studied print, television, and radio.
In 1980, Chuy started volunteering at KBBF in Santa Rosa, the first bilingual radio station in the country. From there, he went on to KPFA, first as a volunteer, then as Director of the Public Affairs Dept., and finally as Music Director in the mid-90’s. At KPFA, he produced news-oriented public affairs programming and was awarded a Minority Training Grant by the Corporation for Public Broadcasting to study at the Center for Investigative Report in San Francisco and began contributing as a freelance reporter to National Public Radio, Pacifica Network News, and Radio Bilingue.
At KPFA, he also produced cultural arts programming co-hosting La Onda Bajita—Radio Del Barrio, a Chicano collective dedicated to diverting young Raza from violent behavior and enriching cultural pride; Ahora, a community affairs program; and produced numerous special broadcasts.
While at KPFA, he was simultaneously working at KJAZ radio, the pioneer jazz radio station, first as an intern, then as a production assistant and recording engineer, working with Bob Parlocha on “On The Scene”, and with Bud Spangler on “The Turk Murphy Show” and “Sunday Night Suites”. In 1984, he began hosting “The Latin Jazz Show”.
When KJAZ went off the air in 1996, Chuy accepted a Sunday afternoon position at KCSM and introduced Bay Area listeners to “The Latin Jazz Show”. Since then, he has attracted a large and loyal audience who have come to depend on his expertise and sunny disposition. In 2000, he became KCSM’s Music Director and began co-hosting “Jazz in the Afternoon”.
In addition to his shows, Chuy is also a freelance music writer who has contributed liner notes to many albums and reviews to various newspapers and periodicals, including the San Francisco Chronicle, SF Bay Guardian, The SF Weekly, Eastbay Express, Latin Beat Magazine, NY Latino, Jazz Times, among others.
***
This is part of a series of conversations organized by Unidos. Unidos is a collective of many local and community focused organizations and engaged individuals, together serving the diverse spectrum of the Chicano Latino community in Riverside. Unidos was formed to work together on initiatives that serve us all beyond the valued niche mission of each group.
Photo by: Gary Leonard
About Unidos and the En Diálogo Series
Unidos, a group committed to furthering the Chicano Latino Community in Riverside, is launching a series of conversations called “En Diálogo: Unidos Presents | Unveiling Chicano Art and Culture, A Preview of The Cheech.” All proceeds from the conversations will benefit an inaugural exhibition of the work of Einar and Jamex De La Torre at the forthcoming Cheech Marin Center for Chicano Art & Culture of the Riverside Art Museum slated to open late Fall 2021.
“I am grateful to Unidos for their support of The Cheech,” says Cheech Marin. “I’m now a fundraiser for life to ensure the center will continue to advocate for Chicano artists and share the importance of the Chicano school of art. I deeply appreciate all of the work to raise the money that is required to organize and promote programming, operations, and more.
Since coming together in December 2017, Unidos has raised over $250,000 for The Cheech, specifically for the capital campaign to fund the renovation of the former main library and future home of The Cheech. They had originally planned to raise these funds over three years, but surpassed their goal within one year. Their inaugural gala in September 2018, Celebrando Chicano Art and Culture honoring Cheech Marin and featuring George Lopez and Dolores Huerta, helped them exceed their goal. Since then, they also organized a benefit concert for The Cheech featuring Grammy-nominated Flor de Toloache, along with Victoria La Mala, in January of this year at the Fox Performing Arts Center.
“Although we had exceeded our pledge and in a much shorter time than expected, our commitment was not just raising the funds, but rather to seeing The Cheech through to its opening date and continuing our support beyond the opening,” says Ninfa Delgado, chairperson of Unidos. “The realization of The Cheech is significant not only in the demonstration and sharing of the history and contributions of the Chicano Latino community in the United States as documented by artists, but we hope that anyone who has ever worked toward giving voice and a presence to those who have struggled against invisibility can identify with what The Cheech will bring. It is more than a museum, and it is for everyone, inviting us all into a movement of inclusivity, understanding, and forward-thinking.”
After kicking off with the series with Cheech Marin and Einar & Jamex De La Torre, additional events in this virtual series will include Lalo Alcaraz in conversation with Gustavo Arellano on November 19, 6 p.m.–8 p.m., Cheech Marin with Carlos Santana on December 17, 6 p.m.–8 p.m., and LA Originals—Estevan Oriol and Mister Cartoon—on January 21, 2021, 6 p.m.–8 p.m. Tickets for these events will be made available soon. Tickets for each conversation are $25.
“Unidos demonstrates the incredible passion and commitment behind establishing The Cheech,” says Drew Oberjuerge, Executive Director of the Riverside Art Museum.
Unidos will also be launching an online auction this winter. The auction will feature a limited-edition lithograph from Einar and Jamex De La Torre, an original piece of Cheech fan art autographed by Cheech and from his personal collection, paintings and sculptures and other items. Follow The Cheech or Unidos on social media for announcements.
Members of Unidos include:
- California Hispanic Chambers of Commerce
- Greater Riverside Hispanic Chamber of Commerce
- Latino Network
- LULAC of Riverside Council 3190
- MR Consulting
- National Latino Peace Officers Association IE Chapter
- Orale Press Publishing
- Riverside Art Museum
- Spanish Town Heritage Foundation
- UCR Chicano Latino Alumni
- UCR Chicano Student Programs
- Uniko Media Group
- VFW Villegas Chapter
To learn more about The Cheech, click here.
To learn more about Unidos, click here.
Thank you to the sponsors:
No cost as part of First Sundays @ RAM
Please join us for El Día de los Reyes, presented by Cultura Con Llantas. We’ll have tamales, pan dulce, chocolate Mexicano, and Trio Sol de Amores will perform, 1:30 p.m.–2:30 p.m.
This event is generously sponsored by:
Los Cinco | Luis Aguilar | Richard Carnero
Russell Juarequi | Jorge Hernandez | Luis Lopez
Benefit Concert for The Cheech!
Friday, January 24, 2020, 8 p.m.
at the Fox Performing Arts Center
Tickets available at: www.riversidelive.com
VIP Sponsorship Opportunities listed below
JUST ADDED: Victoria La MalaOne night only! Latin Grammy winning, New York-based all-female ensemble, and beloved press-darlings Flor de Toloache continue to win the hearts of both progressive and traditional mariachi music fans alike through their distinct artistic vision and sophisticated, enlightened interpretation of traditional mariachi instruments. The female group’s diverse ethnicities and musical backgrounds have also transcended culture and gender by forging new paths. Like the legendary Love Potion the Toloache flower is used for in Mexico, the ladies of Flor de Toloache cast a spell over their audiences with soaring vocals and physical elegance. The group is led by co-band directors Mireya I. Ramos on violin and Shae Fiol on vihuela. Together, they have graced international stages from Chenai, India, to Paris, France, and have extensively toured the U.S. as the supporting act for Dan Auerbach of The Black Keys’ new project The Arcs, as well as Cafe Tacvba, La Santa Cecilia, and Natalia Lafourcade.
Brought to you by:
VIP Sponsorship Opportunities
We have the following event sponsorship opportunities available:
$15,000 PRESENTING SPONSOR:
Recognition: Your company’s name on event invitation, event signage, event materials, social media, The Cheech and RAM websites
Hospitality: Speaking opportunity at event, 10 VIP tickets with best seating, VIP Reception before event
$10,000 MAJOR SPONSOR:
Recognition: Your company’s name on event signage, event materials, social media, RAM website
Hospitality: Acknowledgement at event, 8 VIP tickets with best seating, VIP Reception before event
$5,000 ADVOCATE:
Recognition: Your company’s name on event signage, event materials, social media, RAM website
Hospitality: Acknowledgement at event, 6 VIP tickets with best seating, VIP Reception before event
$2,500 SUPPORTER:
Recognition: Your company’s name on event signage, event materials
Hospitality: Acknowledgement at event, 4 VIP tickets with best seating, VIP Reception before event
$1,000 FRIEND:
Recognition: Your company’s name on event signage, event materials
Hospitality: Acknowledgement at event, 2 VIP tickets with best seating, VIP Reception before event
$500 BELIEVER:
Recognition: Your company’s name on event signage, event materials
Hospitality: Acknowledgement at event, 2 VIP tickets with best seating
CLICK HERE TO BECOME A SPONSOR!
This event is generously sponsored by:
ADVOCATE LEVEL SPONSOR
SUPPORTER LEVEL SPONSOR
FRIEND LEVEL SPONSOR
Latino Network | Assemblymember Jose Medina | Ramirez y Ramirez
BELIEVER LEVEL SPONSOR
Richard Alvarado | Sal Ayala | Bail Hotline | Kathy & Joe Calderon | Steven Figueroa | Carmen Lainez
Tim Maloney | Councilmember Andy Melendrez | Proabition | Pat Reynolds | Michelle Rios
Stream Kim Hicks Wrage & Alfaro, P.C. | Tilden Coil | Ley Yeager
Please join us as artists Kathryn Clark and Sandy Rodriguez walk you through their respective exhibitions, Refugee Stories and Codex Rodriguez-Mondragón. Both artists will be available for a Q&A session afterwards.
Please join us for the Opening Reception of In the Sunshine of Neglect, a joint exhibition held concurrently at RAM and UCR ARTS: California Museum of Photography.
Catalogues will be available for purchase at exhibit venues.
This project was made possible with support from California Humanities,
a non-profit partner of the National Endowment for the Humanities.
Visit www.calhum.org.
Artist Lisa Schulte will talk about her neon artwork as we hold a closing reception for her show, Light Encounters.
Dozens of museums (including RAM) – presenting art, cultural heritage, natural history, and science – will open their doors and invite visitors to attend their museums free of charge on this day. Visit SoCalMuseums.org for a complete list of participating museums.
Free with paid admission or membership
Join feminist artist Judith Palmer and novelist Ben Stoltzfus for a repeat spoken word performance of ROMOLAND, an embodied dialogue between a man and a woman that is a postmodernist reading that dramatizes the condition of being a woman in a world dominated by men.
In partnership with the Inlandia Institute, please join us if you missed the reading back in November!
January 20, 2022, 6 p.m.–7 p.m. on Zoom
Happy birthday, Julia Morgan! January 20, 2022, marks what would be the 150th birthday of renowned architect Julia Morgan! To celebrate, please join us for a presentation via Zoom by scholar Karen McNeill about Julia Morgan’s legacy designing institutions for women. McNeill’s research centers the development of Morgan’s Riverside YWCA (where RAM currently resides) as part of the transnational women’s movement in the 1920s. The story of the remarkable leadership of the Riverside women who made this project possible despite all challenges is not to be missed!
Karen McNeill specializes in architectural history, receiving her PhD from UC Berkeley in 2006. Her scholarship on architect Julia Morgan explores the intersection of gender, reform, and the built environment during the Progressive Era. She has received numerous awards including a research fellowship from the National Endowment for the Humanities.
Click here to register in advance for this meeting.
After registering, you will receive a confirmation email containing information about joining the meeting.
About our Julia Morgan building
Among the art museum’s greatest assets is its 1929 building and its blueprints, which are held in our Permanent Collection. Originally a YWCA, it is listed as a National Historic Site and designated as a City Landmark within downtown Riverside’s Mission Inn Historic District. Most notably, the building was designed by Julia Morgan (January 20, 1872–February 2, 1957), California’s first licensed female architect. Perhaps best known for her work at Hearst Castle in San Simeon, Morgan was also the first woman to receive the American Institute of Architects Gold Medal Award in 2014.
The Riverside YWCA was one of more than 700 buildings designed by Morgan during her prolific career. Its signature reinforced-concrete construction provided a sturdy foundation for the Riverside Art Center (now the Riverside Art Museum) when they purchased the facility in 1967 and began the transformation into a robust hub for arts education and exhibitions.
Over the decades, RAM has worked to preserve Morgan’s design details, investing significantly in the building’s maintenance and improvements. In addition to individual donors, foundations such as the E. Rhodes and Leona B. Carpenter Foundation, Provident Bank, and the Wingate Foundation have championed the building’s importance as a regional museum, a cultural gathering space, and an architectural gem. We are grateful to these longtime supporters and are pleased to report that this summer we received an award from the Helen Frankenthaler Foundation Climate Initiative, a multi-year grant-making program designed to advance the goal of carbon neutrality in the visual arts. Over the coming months, a Frankenthaler-funded energy assessment, along with a Carpenter-funded historic structure report, will provide a framework as we look to the future preservation of our Julia Morgan building and its role as a vibrant 21st century museum.
Join us on Tuesdays at 6 p.m. on RAM’s Instagram (@riversideartmuseum) to watch and learn live as artist Juan Navarro (and occasional guest artists) create art and give tips!
First Sundays is a series of free programs featuring activities for all-ages at various downtown Riverside locations.
Every first Sunday from 1 p.m. to 4 p.m.
Riverside Art Museum (Julia Morgan Building) and The Cheech Marin Center for Chicano Art & Culture are free and open to the public from 12 p.m. – 5 p.m. No tickets are necessary.
Presenting Sponsor – First Sundays (March, April, May) and Judithe Hernández | Beyond Myself, Somewhere, I Wait for My Arrival
In partnership with Riverside Arts Council. List of participating organizations, here.
If you are interested in sponsoring free First Sundays activities, please contact Valerie Found at [email protected]
Photo credit: Puma Photography
Please join us for the Opening Reception for our Winter Exhibits, Impossible Worlds: The Early Works of Pedro Friedeberg, Backward Forward and Upside Down: Gregory Adamson, a Ten-Year Beginning, and Denise Kraemer: resolve, resolved, resolving.
This reception is free and open to the public.